The Realm Of The Senseless

PLEASE WAIT LOADING ,,,,,,,,, It is probably a bad idea for the Foreign Correspondent's Club of Japan to make available its in-house magazine. Persons such as yours truly can read articles like this one printed therein.

An editor, and you would think the FCCJ would have one, would normally send the piece back to the author on fire with the warning, "Contextualize this stuff, or every woman or Japanese member of the club will be chewing our arses off."

The publication of this set of anecdotes, rather than causing an explosion, as it likely will, would serve better as an introduction to a suppressed discussion of media and knowledge-industry colonialization of postwar Japan -- where what were by local standards insanely well paid Caucasian, mostly American, males, both straight and gay, found in the defeated nation a sexual playground, one that seemed a world away from their crabbed and intolerant hometowns. That ex-pat spouses, for economic but also racial reasons, could be complicit in the dominance relationship ("Our is cuter"? "Ours" - possessive pronoun article?!? "OURS"?) is staggering, seen from the present day.

That much of the foundation of what is known about Japan was laid down by persons enjoying vastly greater incomes and personal freedom, particularly in the sexual realm, than the persons whom they reported on and studied is a fact of life -- but not necessarily a fatal flaw. Anthropology would not exist as a discipline if inequalities in income and freedom were criteria for exclusion of research done.

However, to deny that reporting and writing about Japan is not haunted by the ghosts of sexual inequalities past would be idiotic. That is why seeing the names of so many women -- Yuka Hayashi, Isabel Reynolds, Linda Sieg, Sachiko Sakamaki, Lucy Craft, Anna Kitanaka, Michiyo Nakamoto, Hiroko Tabuchi -- on the front lines of reporting on Japan is such a heartening development.

Because there are still a lot of very confused folks out there.

And yes, I know "colonialization" is not a real word.

The Dog That Has Not, Or Had Not, Barked

PLEASE WAIT LOADING ,,,,,,,,,

Gregory: "Is there any other point to which you would wish to draw my attention?"

Holmes: "To the curious incident of the dog in the night-time."

Gregory: "The dog did nothing in the night-time."

Holmes: "That was the curious incident."

-- Sir Arthur Conan Doyle, "Silver Blaze" (1892)

It is often the case that something not happening is far more interesting than when something does.

What is that is it that has not happened that is so gobsmacking, eye-opening amazing?

That since the Ozawa Ichiro breakout of July 2, neither the Noda Cabinet nor the Democratic Party of Japan has won even a percentage point of their popularity back. In fact, the support numbers have gone down.

Jiji Press poll, July 6-9 (previous poll: June 8-11)

Noda Cabinet

Support 21% (24%)
Do Not Support 60% (55%)

Party Support

DPJ 7% (9%)
LDP 13% (13%)


Kyodo News poll, July 14-15 (previous poll: June 26-27)

Noda Cabinet

Support 28% (29%)
Do Not Support 60% (54%)

Party Support

DPJ 15% (17%)
LDP 18% (22%)

The one tiny point of light in the news is the centimetering up of the percentage of voters willing to plunk down for the DPJ in the proportional vote of a House of Representative election.

Kyodo News poll, July 14-15 (previous poll: June 26-27)

Will, in the proportional vote, choose the:

DPJ 14% (13%)
LDP 19% (22%)
Osaka Ishin no kai 13% (13%)
Livelihood Party 6%
Your Party 5% (4%)
JCP 4% (3%)
New Komeito 3% (3%)
Other parties 2% (2%)

Don't know/don't care 34% (37%)

That the DPJ and the Noda Cabinet have not gained any traction from emerging from beneath the supposedly looming shadow of Ozawa Ichiro made yesterday's resignations of Tanioka Kuniko, Koda Kuniko and Funayama Yasue absolutely unsurprising. All three are district seat holders of the House of Councillors, first termers up for reelection in July of next year (E). All three, need it be said, were Ozawa recruits.

Indeed Tanioka's not resigning from the DPJ on July 2 was one of the dogs that "did nothing in the night-time." If ever there was a Ozawa-Hatoyama loyalist, it is she. Remember the infamous party at the Hatoyama villa in Karuizawa on August 19, 2010, when the Ozawa groupies began chanting "kiai da, kiai da" ("Now is the moment! Now is the moment!") -- encouraging Hatoyama to declare his support for Ozawa, should Ozawa choose to run against Kan Naoto for the party presidency (which Ozawa did, a fortnight later) -- with such hysterical fervor some of them must have wet themselves? Here is the photo of Hatoyama's toast at the party, with the host looking already at least three sheets into the wind:

Tanioka is the one with the beer glass and the broad grin, standing equidistant between the two big men -- a position she has also occupied in Nagata-cho.

That Tanioka has jumped ship finally solves one riddle but poses another. She, Funayama and Koda are joining hands with Kamei Akiko, the daimyo heiress, to form a new parliamentary group, the Green Wind (midori no kaze) which sounds a lot better in the Japanese and hearkens back to the Ryokufukai, the Association of the Green Wind -- the caucus of independents in the first Diet elected under the present constitution. With one more Diet member, either from the House of Councillors or the House of Representatives, Green Wind could apply to be an actual party, attracting both public and private funding. While Tanioka is very well-off and Kamei, being the Tsuwano hanshu's lineal descendant, is probably not hurting for cash, Funayama and Koda were, until their elections, housewives. The latter pair could hardly fund independent reelection campaigns, even with help from Ozawa and Hatoyama. With party backing, however, the pair would likely win reelection.

So is Tanioka, who faithfully carried water for both Hatoyama and Ozawa, breaking out on her own?

Can Someone Else Write This Post, Please?

PLEASE WAIT LOADING ,,,,,,,,, There is a blog post that probably should be written about a micro-abomination committed by the Asia Society against the reputation of this blessed land.

You have to start with this bit of text on the Asia Society's blog (Link) by Shreeya Sinha. Her bio is displayed to the right of the text.

The text tries to justify the Asia Society awarding a grant to videographer Okahara Kosuke, who has produced a documentary following the lives of six women who cut themselves. The text claims that self-injury is a major social problem among women in Japan, which unfortunately for Ms. Sinha, is untrue.  We know this is so because an article in the journal Psychiatry and Clinical Neurosciences finds:

The present study clarified that 9.9% of junior and senior high-school students (male, 7.5%; female, 12.1%) reported a lifetime experience of deliberate self-injury at least once. These findings confirm our previous studies using a small sample, which reported that the prevalence of self-injury in male and female junior high-school students was 8.0% and 9.3%5 and that 14.3% of female senior high-school students reported self-cutting at least once. The present results also appear to be approximately consistent to the prevalence of self-injury in other countries: 11.2% of female high-school students in the UK, 12%of female university students in the USA, 13.9% of Canadian adolescents, although only Turkish high-school students had a higher prevalence of self-injury (21.4%).

A hat tip has to be given to Mark McDonald, a writer from The New York Times Rendezvous blogs, whose post on the Asia Society's display of Okahara's work links to the journal Psychiatry and Clinical Neurosciences article, even though the findings therein undermine the assertion that Japanese young women engage in self-injury at rates that are somehow aberrant.

Getting back to the text by Ms. Sinha, she makes a real go of proving the unprovable by offering a citation (Link).  Unfortunately for Ms. Sinha (I repeat myself) the citation is a secondhand report from a self-published sex memoir of a Jamaican-American former English teacher entitled -- and here would be an excellent place to toss in an "and I am not making this up" -- Black Passenger Yellow Cabs: Of Exile and Excess in Japan. That the citation misspells the name of the Ministry of Health, Labour and Welfare and offers no clue as to where one can find the study cited is hardly noticeable in a paragraph where the first sentence has the former teacher claiming to have had sexual relations with 40 women in his first three years in Japan and 20 more after his retirement from playing the field (his italics, not yours or mine).

Having navigated through this jaw-dropping passage, you might want to work in the Abe Shinzo quote the Society is so proud to display on its website:

"The Asia Society has been playing an important role in deepening ties and understanding among the peoples of Asia-Pacific and the United States. I truly expect the Asia Society will enhance this role for furthering the region's stability and prosperity."

Those with some stamina might want to double back to work on the second half of the McDonald Rendezvous post, where he visits with the hikikomori phenomenon, this in order to rekindle the debate on whether or not the hikikomori exist as a statistical or clinical entity.

So, whoever you are, please write this post -- because, frankly typing, I just cannot bring myself to do it.

Bang A Gong

PLEASE WAIT LOADING ,,,,,,,,, The Spring list of awardees of national honors is out and it is a snoozer. Except for Sakaiya Tai'ichi, Iwashita Shima and Jacques Diouf, one is left asking "Who are these folks?" and in the rare instance where one knows the answer, "Why this award, now?"

Sakaiya Tai'ichi (real name: Ikeguchi Kotaro) has received the Grand Cordon Order of the Rising Sun for his contributions as a former bureaucrat and a writer of fiction and non-fiction. He was, until recently, a key supporter of Osaka City Mayor Hashimoto Toru, providing some intellectual firepower and legitimacy to Hashimoto's Osaka Ishin no Kai movement. He has downplayed his ties with Hashimoto since the Ishin no Kai released its eight point Ishin Hassaku plan for reviving the country, parts of which Sakaiya has derided as rubbish.

Choosing to honor actress Iwashita Shima (real name: Shinoda Shima) with an Order of the Rising Sun, Gold Rays with Rosette, a decidedly low-ranking award for someone who has contributed so much to Japanese cinema, still represents a pretty gutsy call for the awards committee. Iwashita, whatever her actual morals, always played the baddest of the bad girls. In terms of the number of sex scenes in which she has appeared in what have been classed as serious films, she is simply without peer (if I am wrong in this, please tell me).

That Iwashita travels in rather better social circles than the characters she has played can be surmised by her having been one of the featured lecturers last year at Shimomura Mitsuko's juku.

As for the awards, they are, as they always have been, a way of only adding to the disparity between what bureaucrats do for other bureaucrats and what they do for the populace at large. In addition to their pensions, their lump sum retirement grants, their falling gently into sinecures at corporations or non-profits, bureaucrats and other officials are still receiving the lion's share of the gongs: over 56% of the 4110 handed out this spring. (J)

Also as usual, the over 50% of the population of this blessed land with XX chromosomes got gypped, receiving a mere 9% of the awards.

And In The Other Japan...

PLEASE WAIT LOADING ,,,,,,,,, ...the one that is fabulous, successful and full of youthful energy, a shock: Maeda Atsuko (20) is "graduating" from AKB 48. The gigantic group's pivot point, two-time winner of the title of Party Leader (sosai) announced her retirement/ascension/eviction at the end of the group's concert on Sunday (J and SP -- I cannot help myself: the news sounds so much more poignant and significant en español).

Serious discussions must have already begun on whether the fans of AKB 48 can be brought together for a snap election of a new Party Leader, so as to avoid leaving the group, the fandom, the marketers, the makeup artists, the clothes designers, the lighting crews, the semi-closeted nympholeptics leaderless.

Questions will also now grow ever louder as to whether Shinoda Mariko, the oldest member of the group at 26, should not also announce her departure.


Later - Oh dear, I was pipped by Japan Probe. Oh well.

Later still - And yes, they can sing beautifully, when they try (Link).

Lightning Strikes Twice

PLEASE WAIT LOADING ,,,,,,,,, Demonstrating that last year’s victory in the World Cup was not a fluke, the Japanese women’s soccer team, Nadeshiko Japan, defeated the U.S. 1-0 in a match at the Algarve Cup in Portugal. Considering that last year’s final was decided by penalty kicks, yesterday’s victory was the first time Nadeshiko Japan had outscored a U.S. team, having had up to yesterday a record of 4 ties and 21 losses in head-to-head competitions.

It is hard to overemphasize the importance the continued brilliance of Nadeshiko Japan has had on raising the spirits of the people -- not only because the men’s team, the Samurai Blue, play The Most Boring Soccer In The World ™. The World Cup victory last year was a first ray of light into the psychological and physical dark passage the country was lost in following not just the triple disaster of 3/11 but all the other longer-term failures – the lost promise of the 2009 change in governments, the half-cocked sudden stop of Koizumiism and the 1990s collapse of the economic-social-political system. It was not inappropriate or opportunistic for Prime Minister Kan Naoto to award the entire Nadeshiko Japan team the People's Honor Award (a awful lot of medals to be handing out at one time).

So to whomever it was that Kumagai Saki was looking up to on July 18 of last year, thank you again.

Photo image of nadeshiko (Dianthus superbus) courtesy Ayuko0106. Common usage license.